2013 m. liepos 23 d., antradienis
“Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness.”
― Vladimir Nabokov, Selected Letters, 1940-1977
“I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.”
― Vladimir Nabokov, Lolita
“you have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs--the slightly feline outline of a cheekbone, the slenderness of a downy limbs, and other indices which despair and shame and tears of tenderness forbid me to tabulate--the little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.”
― Vladimir Nabokov, Lolita
“I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. Let visitors trip. And the highest enjoyment of timelessness-in a landscape selected at random-is when I stand among rare butterflies and their food plants. This is ecstasy, and behind the ecstasy is something else, which is hard to explain. It is like a momentary vacuum into which rushes all that I love. A sense of oneness with sun and stone. A thrill of gratitude to whom it may concern-to the contrapuntal genius of human fate or to tender ghosts humoring a lucky mortal.”
― Vladimir Nabokov, Speak, Memory
“In spite of everything I loved you, and will go on loving you--on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck--even then. And afterwards--perhaps most of all afterwards--I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B...without looking, or, without lifting the pencil...or in some other way...we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.”
― Vladimir Nabokov, Invitation to a Beheading
“All at once we were madly, clumsily, shamelessly, agonizingly in love with each other; hopelessly, I should add, because that frenzy of mutual possession might have been assuaged only by our actually imbibing and assimilating every particle of each other's soul and flesh; but there we were, unable even to mate as slum children would have so easily found an opportunity to do so.”
― Vladimir Nabokov, Lolita
No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom
Mind
Life is a great sunrise. I do not see why death should not be an even greater one.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”
Lana
We can escape to the great sunshine I know your wife and she wouldn't mind We made it out to the other side
:)
She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank.
She smoked cigarettes and had midnight swims.
One direction
Harry- Maybe it's the way she walked Straight into my heart and stole it Through the doors and past the guards Just like she already owned it
Zayn- I said can you give it back to me She said never in your wildest dreams
All- And we danced all night to the best song ever We knew every line now I can't remember how it goes but I know that I won't forget her 'Cause we danced all night to the best song ever I think it went oh oh oh I think it went yeah yeah yeah I think it goes, oh
Liam- Said her name was Georgia Rose And her daddy was a dentist
Harry- Said I had a dirty mouth But she kissed me like she meant it
Niall- I said can I take you home with me She said never in your wildest dreams
All- And we danced all night to the best song ever We knew every line now I can't remember how it goes but I know that I won't forget her 'Cause we danced all night to the best song ever I think it went oh oh oh [ From: http://www.metrolyrics.com/best-song-ever-lyrics-one-direction.html ] I think it went yeah yeah yeah I think it goes, oh
Louis- You know I know you know I will remember you I know you know i know You'll remember me
Zayn- You know I know you know I'll remember you I know you know I hope you'll remember how we danced How we danced
1, 2, 1, 2, 3
All- And we danced all night to the best song ever We knew every line now I can't remember how it goes but I know that I won't forget her 'Cause we danced all night to the best song ever
Then we we danced all night to the best song ever We knew every line now I can't remember how it goes but I know that I won't forget her 'Cause we danced all night to the best song ever I think it went oh oh oh I think it went yeah yeah yeah I think it goes, oh
Zayn- Best song ever It was the best song ever It was the best song ever it was the best song ever
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